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by Mark

Notes on – Working with the Labyrinth

January 29, 2008 in labyrinth, ritual


Labyrinths are ancient and modern walk through symbols, often associated with ritual and mytical stories. I have recently become interested the connection between the disorientating function of labyrinths and Dr Arnold Mindell’s directional vector work. Labyrinths seem to have served the purpose of moving from our everyday world into other non-consensual worlds or realities. Working with labyrinths is a way of shifting awareness, and relating to other dimensions such as the dreaming process, or connecting to your core or essence.

Some of the key aspects of labyrinths seem to be:

  • Disorientating ( i.e. upside down world),
  • Links everyday world to underworld, life and death,
  • Conscious to unconscious,
  • Heroic journey,
  • Birth/death,
  • Thread of awareness,
  • Man and woman,
  • Penitential path to salvation,
  • Womb, mother and child,
  • Waxing and waning of the moon.

What really interests me is how you can use the labyrinth to disorientate the everyday mind to put you in touch with your core or essence. Much like ‘vector work’, circle dancing, Ba-Gua, or the spinning of Sufi Dancers.

Another thing you can do is to walk the labyrinth as a meditation. Taking a question about our work together for example and then dropping the question and walking the labyrinth and finding out what emerges irrationally.

  • The labrys is a double-headed axe from Crete which symbolizes the waxing and waning moons depicted as two blades, in the centre of which is the four-pointed cross. The ‘labyrs’ is often shown held by a goddess guarding the entrance to the labyrinth or the underworld.
  • The word ‘maze’ is derived from an Old English word ‘dmasian’ which means ‘to confuse’ which refers to the disorienting experience of walking such a path.
  • The labyrinth .. represents the central spiritual and psychological concerns of the culture or civilization that makes use of it.
  • The labyrinth is a symbol for life ..[and] is a ‘walk-through’ symbol and therefore a creative or ritual space which mirrors the sense of unknowingness and disorientation, the twists and turns, the challenges and obstacles that we move through in life.
  • The labyrinth charts the connection between our everyday life and the underworld, our conscious self and the unconscious or collective unconscious, and our waking consciousness and the dreaming process
  • This ancient maze fundamentally represents both the womb and the tomb, and the thread of awareness which is needed through all life.
  • The labyrinth is essentially a ‘unicursal’ maze, which means it has only one path which twists and turns but eventually leads to the centre. The maze is ‘multicursal’ which means it can have many pathways, and therefore dead-ends. The labyrinth will disorientate, but the maze can both disorientate and render you completely lost.
  • Early labyrinths were maps to aid the passage of the soul to the underworld after death.
  • Ancient labyrinth dances and rituals depicted the movement between life and death, tracing the path from life, through the gateway of the tomb and into mother Earth.
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by Mark

Extraordinary Method – Blindfold Journey

August 1, 2007 in children, creative partnerships, labyrinth, schools, sight

It was an extraordinary method to use to enter a new environment and
meet new people. Mark and I blindfolded ourselves at the main office
and kept them on for over an hour and a half at least through two
different journeys around the school with two different teams of
leaders and experience makers. All the children in this chosen class
were involved (25 – 30 some were away)
At the end of the journeys we were led blindfold into a room to meet
everyone
and gave and received feedback still blindfolded. I advocate it as a
way to always
enter a new space. I felt totally safe, the process cut through all
the usual self concsiousness on both sides and I felt an instant
bonding and gratefulness to these young people. It changed our
realationship I believe instantly.

Lots of the children were quite nervous and took their responsibility
seriously. We did a workshop all day culminating in an experience they had to create.
They thought up some amazing ideas – things I could never have
thought of. They seem to already have done a lot of work around the
Teatro de los Sentidos and are brimming with ideas – I think the
difficulty is going to be consolidating and helping them to decide by
consensus what their labyrinths should be ultimately. There is still
a lot more work to do and places where they need more practice,
especially in the very subtle areas of sensorial learning, but this was a first day and first meeting for us doing this type of work and it was amazing. I filmed most of it
(sadly not the blindfold journey for obvious reasons thought this
would have been extraordinary and maybe I can film someone else doing
this).

Extra thoughts on blindfold journey from my perspective
It was humbling in some ways and I am still full of it. I think over
and above the novelty/experimental aspect, it really worked. I had
received a very strange sense of where I was, it felt like entering a
time warp, so that I was simultaneously in a school classroom (they
enacted a very convincing french lesson for us) in an engine room in
all types of different atmospheres and air and temperature. It was
experiencing a building, an institution at its source and what its
real nature is. There could be some really fascinating potential here
in looking at these relationships. For the students to look at the
experience they gave us via this different version of their school.
Did it change their perception of the building. Did it change
anything? Their ideas about themselves.
There is more to say. I feel like I’m still disseminating . . . . .

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by Mark

Clacton High School – Friday 13th July – Our Introductory Visit

July 28, 2007 in creative partnerships, labyrinth, schools, sight

I thought I would briefly share with you our day at Clacton Highschool. Susanne and I arrived at 8.30am in the morning in the school carpark. The aim was for us to be blindfolded and to meet the students and the school completely without the benefit (or hindrance) of sight. So we went into reception at 9am, as we were required to sign in. We asked for Sarah and Clare our two motivated labyrinth oriented teachers, and they were phoned. Then we said ‘we are going to put on our blindfolds so we can be shown around the school, hope you don’t find that too strange!’

Sarah and Clare came along and whisked us into a side room. An important teacher was leaving today and everything was delayed by one hour. Susanne and I agreed that we would like to sit and listen with our bodies to the atmosphere of the school, during the farewell in the auditorium for the next hour. We were sat in the side corridor so as not to distract.

Then assembly finished earrly. We were suddenly taken to the main hall way and children, voices, feet swarmed past. ‘Watch it, they are kidnapping you!’ ‘Can I poke him and see what happens?’ It felt like a shoal of fish were passing by. Most of them went to class, but a few tried to hang around and see what was happening.

It slowly dawned on me that we were surrounded by about 30 children who were about to lead us around the school. Tom took my hand eventually. He was small, and I could feel that he had a reasonable amount of confidence. They had divided themselves into two groups, boys and girls and each was going to lead us for half of the time.

Susanne went one way and I another. She chose to remain silent. I spoke a little with the children. I thought it would make them more comfortable, but there was no evidence that they were more comfortable with me when we removed our blindfolds an hour later.

The doors felt all so small, and we continually had to squeeze into small rooms. Music recording studios. I felt the body of a Blues Brother statue. Great music kept appearing and dissappearing. Sometimes I think we passed through a whole classroom. Many of the children went quiet, so it was hard to tell.

We went outside and then through a door and were outside again. Strange! Into a large field. ‘This is the hill where people get bullied’. ‘People roll down this slope’. Then we came to a brick wall with stones sticking out. I tried to climb it briefly.

The sea breeze and sun were refreshing. Back into the school and the halls smelt like various different chemical cleaners and sweaty shoes. This is J block, H block, G block. The children shared me their daily routines, I was more interested in the sound of their shoes. The way they walked. The way they held me. The boys handed me to the girls. Amy was rough. She giggled. Slammed me accidentally into a few tables. Put my hands on students heads. She found it hard to imagine what it was like for me. But then she said ‘this is where I fell over when I first came to school’. I wanted to go back there and for her to show me how she fell. I later could identify her from her shoes.

Then onwards and upwards. Into modern smelling spaces. Into the female staff toilets. A hand drier was turned on. ‘What does it smell like?’ Back to the corridor. hot and stuffy. Suddenly we were at a window and a pleasant breeze and light came through. ‘This feels like a place to be’ I said.

Meeting a school and children like this is very connecting. We exchanged feedback with the children and teachers, still blindfolded. And then when we removed them, there was little awkwardness or shyness.

For the rest of the day we gave them a workshop. Soundwork, Sound massage, Team and Circle Games, Moving as they felt somewhere in the school. And at the end of the day they each joined a group of one of 5 senses. No six senses! As someone suggested the 6th Sense!

A fabulous day. Too tired toonite to do it full justice. But this was a labyrinth journey in it’s own right.

Mark

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